![]() ![]() The unscripted series will give viewers a front row seat to her life as she battles to overcome her past, and move into the next chapter of her life and career. 1 most social movie of the weekend with a total of 573,000 interactions.Īs a follow-up, Thinkfactory is currently in talks with multiple networks about a docuseries which features Michel’le and her family. 1 entertainment telecast of the night among total viewers (excluding sports). Make a donation to Compton’s ’22.The recently aired Thinkfactory biopic for Lifetime, Surviving Compton: Dre, Suge & Michel’le, was a ratings blockbuster for the network with an average of 2.3 million total viewers, making it cable’s No. She has worked as a consulting producer on titles including HBO’s The Lady and the Dale and Netflix’s Disclosure. Stryker is founding executive editor of TSQ: Transgender Studies Quarterly, author of Transgender History: The Roots of Today’s Revolution, and co-director of the Emmy-winning documentary film Screaming Queens: The Riot at Compton’s Cafeteria. Susan Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, and currently holds the Barbara Lee Professorship in Women’s Leadership at Mills College, 2020-2022. She has worked on feature films and docuseries for outlets including Netflix, HBO, and National Geographic. She holds an MFA in Documentary Film & Video from Stanford University and a Master’s in Culture & Colonialism from the National University of Ireland, Galway. Drew is a recent graduate of Stanford’s MFA program in Documentary Film, and has worked on projects with the Democratic Socialists of America, Kartemquin Films, Truth & Documentary, Group Nine Media, and more.Īzza Cohen is a documentary filmmaker, producer, and historian from Highland Park, IL. Their work explores how documentary and experimental modes of filmmaking can build alternative frameworks for gender and other social structures that allow us to imagine better worlds. As a teenager, they were drawn to film as a way to process feelings of gender dysphoria. Make a donation to Compton’s ’22.ĭrew de Pinto is a director and editor based in Queens, NY. The film provides a rare opportunity for trans and gender nonconforming people to learn about their history, and reveals the powerful implications of intergenerational solidarity in the ongoing struggle for queer liberation. Decades later, trans historian Susan Stryker unearthed the history of the riot and interviewed the surviving “Compton’s queens.”Ĭompton’s ’22 creates an intergenerational conversation between these archival interviews and young trans and gender nonconforming artists today, using performance to imagine an interpretive archive that stands in for the absence of visual documentation. ![]() There was no news coverage, and the arrest records no longer exist. Three years before Stonewall, on an unknown date in 1966, trans women in San Francisco’s Tenderloin district rioted against police violence at Gene Compton’s Cafeteria. Trans and gender nonconforming performance artists reimagine the historic Compton’s Cafeteria Riot based on testimonies from the legendary “Compton’s queens.” Synopsis
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